Historical art

21 Items

All Items

Konrad Niemira (Author)
189-220
“Piu bravo Pittore che fosse in Vienna,” or Marcello Bacciarelli at the Habsburg Court and in Viennese Salons
https://doi.org/10.63538/rmnwns.008.07
Stephan Kemperdick (Author)
148-186
Two Trinity Panels from St Mary’s Church in Gdańsk
https://doi.org/10.63538/rmnwns.007.04
Matthias Weniger (Author)
93-147
Two Pietàs from Silesia in the National Museum of Warsaw: The Pietàs from Lubiąż and from St Matthias’s Church in Wrocław
https://doi.org/10.63538/rmnwns.007.03
Dorota Juszczak (Author)
163-188
The Self-Portraits of Marcello Bacciarelli: Dating and Attributions
https://doi.org/10.63538/rmnwns.008.06
Joanna Sikorska (Author)
141-165
The Reception of Portrait of a Young Man in Prints. Exploring the Sources of Interpretive Myths
https://doi.org/10.63538/rmnwns.009.05
Marek Płuciniczak (Author)
108-140
The Last Judgement by Wolfgang Krodel the Elder: Printed Sources, Dating and Provenance of the Painting
https://doi.org/10.63538/rmnwns.009.04
Barbara Kamińska (Author)
130-162
Pieter Aertsen’s Seven Works of Mercy: Charity and Salvation in the Age of Reform
https://doi.org/10.63538/rmnwns.008.05
Monika Kęsy, Justyna Olszewska-Świetlik, Aleksandra Janiszewska (Author)
91-129
Painting Technology and Technique in Crucifixion by Pieter Coecke van Aelst’s Workshop from the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.04
Thomas Fusenig (Author)
85-107
Nicolas Neufchâtel’s Portrait of Joachim Camerarius the Younger at the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.009.03
Agnieszka Rosales Rodríguez (Author)
277-293
Nicolas de Largillierre’s Portrait of a Lady with a Dog and a Monkey and the Rococo Gender Game
https://doi.org/10.63538/rmnwns.007.08
Peter Brink, van den (Author)
121-220
Joos van Cleve and Albrecht Dürer: A Hypothetical Relationship
https://doi.org/10.63538/rmnwns.011.06
Nicola Spinosa (Author)
255-276
From Ribera to Solimena. Neapolitan Paintings in the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.007.07
Maciej Kaźmierczak (Author)
321-368
Frames and “Their” Pictures. The Role of Frames and Frameworks in Old Painting: An Outline of the Subject
https://doi.org/10.63538/rmnwns.007.10
Justyna Guze (Author)
294-320
Colour in French Drawing of the 18th Century. Between Theory, Connoisseurship and Practice
https://doi.org/10.63538/rmnwns.007.09
Antoni Ziemba (Author)
254-275
Carel Fabritius's The Raising of Lazarus Revisited
https://doi.org/10.63538/rmnwns.011.08
Stanisław Mieleszkiewicz (Author)
221-243
A Biedermeier Table for Displaying Geological and Dendrological Specimens from the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.08
Piotr Borusowski (Author)
187-214
The Penitent Saint Jerome in the Wilderness: A French Miniature from the Beginning of the 16th Century in the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.007.05
Aleksandra Janiszewska (Author)
215-254
The Lamentation Triptych from the National Museum in Warsaw in Light of a New Technological Analysis
https://doi.org/10.63538/rmnwns.007.06
Grażyna Bastek, Mateusz Jasiński (Author)
221-253
Imitar bene le cose naturali According to Caravaggio and the Caravaggisti
https://doi.org/10.63538/rmnwns.011.07
Joanna Tomicka (Author)
31-47
Codex of the Armorial of the Order of the Golden Fleece. An Overview of the Topic and the State of Research on Provenance
https://doi.org/10.63538/rmnwns.006.02
Stefaan Hautekeete (Author)
48-89
Codex of the Armorial of the Order of the Golden Fleece from the National Museum in Warsaw. Analysis, Interpretation and Its Reattribution to Hans Bol
https://doi.org/10.63538/rmnwns.006.03