Polish and world art

Art in Poland and Worldwide

All Items

Piotr Czyż (Author)
323-349
The President Thomas Woodrow Wilson Monument. Ignacy Jan Paderewski’s Gift to the City of Poznań and its Artistic Implications
https://doi.org/10.63538/rmnwns.008.12
Magdalena Pinker, Joanna Popkowska (Author)
295-322
Paderewski the Orientalist? Ignacy Jan Paderewski’s Collection of Chinese Cloisonné Enamels at the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.11
Agata Szydłowska (Author)
266-292
“Lambrequins Are a No-Go!” Critics’, Artists’, and Journalists’ Interior-Design Discourses During the “Small Stabilization” Era
https://doi.org/10.63538/rmnwns.008.10
Anna Demska, Anna Maga (Author)
247-265
The Gallery of Polish Design at the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.09
Stanisław Mieleszkiewicz (Author)
221-243
A Biedermeier Table for Displaying Geological and Dendrological Specimens from the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.08
Konrad Niemira (Author)
189-220
“Piu bravo Pittore che fosse in Vienna,” or Marcello Bacciarelli at the Habsburg Court and in Viennese Salons
https://doi.org/10.63538/rmnwns.008.07
Dorota Juszczak (Author)
163-188
The Self-Portraits of Marcello Bacciarelli: Dating and Attributions
https://doi.org/10.63538/rmnwns.008.06
Barbara Kamińska (Author)
130-162
Pieter Aertsen’s Seven Works of Mercy: Charity and Salvation in the Age of Reform
https://doi.org/10.63538/rmnwns.008.05
Monika Kęsy, Justyna Olszewska-Świetlik, Aleksandra Janiszewska (Author)
91-129
Painting Technology and Technique in Crucifixion by Pieter Coecke van Aelst’s Workshop from the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.04
Maciej Kaźmierczak (Author)
321-368
Frames and “Their” Pictures. The Role of Frames and Frameworks in Old Painting: An Outline of the Subject
https://doi.org/10.63538/rmnwns.007.10
Justyna Guze (Author)
294-320
Colour in French Drawing of the 18th Century. Between Theory, Connoisseurship and Practice
https://doi.org/10.63538/rmnwns.007.09
Agnieszka Rosales Rodríguez (Author)
277-293
Nicolas de Largillierre’s Portrait of a Lady with a Dog and a Monkey and the Rococo Gender Game
https://doi.org/10.63538/rmnwns.007.08
Nicola Spinosa (Author)
255-276
From Ribera to Solimena. Neapolitan Paintings in the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.007.07
Aleksandra Janiszewska (Author)
215-254
The Lamentation Triptych from the National Museum in Warsaw in Light of a New Technological Analysis
https://doi.org/10.63538/rmnwns.007.06
Piotr Borusowski (Author)
187-214
The Penitent Saint Jerome in the Wilderness: A French Miniature from the Beginning of the 16th Century in the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.007.05
Stephan Kemperdick (Author)
148-186
Two Trinity Panels from St Mary’s Church in Gdańsk
https://doi.org/10.63538/rmnwns.007.04
Matthias Weniger (Author)
93-147
Two Pietàs from Silesia in the National Museum of Warsaw: The Pietàs from Lubiąż and from St Matthias’s Church in Wrocław
https://doi.org/10.63538/rmnwns.007.03
Thea Burns (Author)
156-181
Physical and Conceptual Fragility? Remarks on Exhibiting Pastels from 19th-Century France
https://doi.org/10.63538/rmnwns.006.07
Neil Jeffares (Author)
137-155
Poland, Élites and the Spread of Pastel Portraiture in 18th-Century Europe
https://doi.org/10.63538/rmnwns.006.06
Piotr Czyż (Author)
110-136
Leon Wyczółkowski’s The Wawel Treasury as an Artistic Reflection on the History of Poland
https://doi.org/10.63538/rmnwns.006.05
Anna Grochala, Joanna Sikorska (Author)
93-109
Masters of the Pastel. From Marteau to Witkacy The Collection of the National Museum in Warsaw Exhibition
https://doi.org/10.63538/rmnwns.006.04
Stefaan Hautekeete (Author)
48-89
Codex of the Armorial of the Order of the Golden Fleece from the National Museum in Warsaw. Analysis, Interpretation and Its Reattribution to Hans Bol
https://doi.org/10.63538/rmnwns.006.03
Joanna Tomicka (Author)
31-47
Codex of the Armorial of the Order of the Golden Fleece. An Overview of the Topic and the State of Research on Provenance
https://doi.org/10.63538/rmnwns.006.02
Piotr Rypson (Author)
271-325
Marjan Paszkiewicz: A Forgotten Critic
https://doi.org/10.63538/rmnwns.005.12
Isabel García García (Author)
231-270
Madrid at the Crossroads of 1918. Polish Avant-Garde Art
https://doi.org/10.63538/rmnwns.005.11