Polish and world art

78 Items

Art in Poland and Worldwide

All Items

Marcin Romeyko-Hurko (Author)
422-432
The National Museum in Warsaw Participates in the Partage Plus Project
Joanna Tomicka (Author)
413-421
A Permanent Temporary Exhibition: A Discussion about Exhibiting Prints at the CODART ZESTIEN Congress
Magdalena Nowak (Author)
384-410
From Object to Documentation. The New Media Collection at the National Museum in Warsaw
Agata Pietrasik (Author)
363-383
Mourning Does Not Become Electra. On the (Non)memory of War in the Work of Felicjan Szczęsny Kowarski
Piotr Borusowski (Author)
286-332
Lost and Found. The Drawing of Joan of Arc by Peter Paul Rubens at the National Museum in Warsaw
David Love (Author)
255-285
The Currency of Connoisseurs: The History of Two Versions of The Holy Family with Saint John and Saint Catherine by Gianfrancesco Penni
Paul Joannides (Author)
232-254
Gianfrancesco Penni’s Two Versions of The Holy Family with Saint John and Saint Catherine
David Love (Author)
196-231
Gianfrancesco Penni: A Biographical and Iconographic Introduction to His Two Versions of The Holy Family with Saint John and Saint Catherine
Grażyna Bastek, Barbara Łydżba-Kopczyńska, Elżbieta Pilecka-Pietrusińska, Iwona Stefańska (Author)
151-195
Technological Examination of the Warsaw and Boston Versions of The Holy Family with Saint John and Saint Catherine by Gianfrancesco Penni
Tomasz Górecki (Author)
137-148
Hand (Portable) Candelabrum from a Byzantine Church in Athribis in Egypt
Petra ten-Doesshate Chu (Author)
350-373
Portrait of the Artist as a Young Celebrity: Ignacy Jan Paderewski by Lawrence Alma-Tadema
https://doi.org/10.63538/rmnwns.008.13
Piotr Czyż (Author)
323-349
The President Thomas Woodrow Wilson Monument. Ignacy Jan Paderewski’s Gift to the City of Poznań and its Artistic Implications
https://doi.org/10.63538/rmnwns.008.12
Magda Pinker, Joanna Popkowska (Author)
295-322
Paderewski the Orientalist? Ignacy Jan Paderewski’s Collection of Chinese Cloisonné Enamels at the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.11
Agata Szydłowska (Author)
266-292
“Lambrequins Are a No-Go!” Critics’, Artists’, and Journalists’ Interior-Design Discourses During the “Small Stabilization” Era
https://doi.org/10.63538/rmnwns.008.10
Anna Demska, Anna Maga (Author)
247-265
The Gallery of Polish Design at the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.09
Stanisław Mieleszkiewicz (Author)
221-243
A Biedermeier Table for Displaying Geological and Dendrological Specimens from the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.08
Konrad Niemira (Author)
189-220
“Piu bravo Pittore che fosse in Vienna,” or Marcello Bacciarelli at the Habsburg Court and in Viennese Salons
https://doi.org/10.63538/rmnwns.008.07
Dorota Juszczak (Author)
163-188
The Self-Portraits of Marcello Bacciarelli: Dating and Attributions
https://doi.org/10.63538/rmnwns.008.06
Barbara Kamińska (Author)
130-162
Pieter Aertsen’s Seven Works of Mercy: Charity and Salvation in the Age of Reform
https://doi.org/10.63538/rmnwns.008.05
Monika Kęsy, Justyna Olszewska-Świetlik, Aleksandra Janiszewska (Author)
91-129
Painting Technology and Technique in Crucifixion by Pieter Coecke van Aelst’s Workshop from the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.008.04
Maciej Kaźmierczak (Author)
321-368
Frames and “Their” Pictures. The Role of Frames and Frameworks in Old Painting: An Outline of the Subject
https://doi.org/10.63538/rmnwns.007.10
Justyna Guze (Author)
294-320
Colour in French Drawing of the 18th Century. Between Theory, Connoisseurship and Practice
https://doi.org/10.63538/rmnwns.007.09
Agnieszka Rosales Rodríguez (Author)
277-293
Nicolas de Largillierre’s Portrait of a Lady with a Dog and a Monkey and the Rococo Gender Game
https://doi.org/10.63538/rmnwns.007.08
Nicola Spinosa (Author)
255-276
From Ribera to Solimena. Neapolitan Paintings in the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.007.07
Aleksandra Janiszewska (Author)
215-254
The Lamentation Triptych from the National Museum in Warsaw in Light of a New Technological Analysis
https://doi.org/10.63538/rmnwns.007.06