Polish and world art
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Polish
Change the language. The current language is:
English
Polish
Polish and world art
92 Items
Art in Poland and Worldwide
Subcategories
History of museums and expositions
Historical art
Ancient Art
Art of 19th and 20th centuries
Polish design
Around Paderewski
Around the Pastel
Faras
Around Gierymski
Around Boznańska
Around Peiper
Medieval Art
Around Guercino
Sculpture and Applied Arts
Modern Art
Attribution and Technological Research on Old Master Paintings and Drawings
Art of the 20th and 21st Century
Shorter Notices
Late Medieval and Early Modern Art
Art of the 19th Century
Neerlandica
All Items
Michał Haake (Author)
214-227
Olga Boznańska’s
Flower Girls
. Japonisme or the Tradition of
Rückenfigur
?
https://doi.org/10.63538/rmnwns.005.10
Xavier Deryng (Author)
199-213
Obrazy Olgi Boznańskiej z kolekcji Bolesława Biegasa – dar dla Towarzystwa Historyczno-Literackiego w Paryżu
https://doi.org/10.63538/rmnwns.005.09
Krystyna Znojewska-Prokop (Author)
177-196
Aleksander Gierymski and Antoni Madeyski: The Story of a Friendship
https://doi.org/10.63538/rmnwns.005.08
Agnieszka Rosales Rodríguez (Author)
153-176
Aleksander Gierymski and the Macchiaioli
https://doi.org/10.63538/rmnwns.005.07
Tomasz Górecki (Author)
130-149
The Vessel Fragment from Faras Cathedral: A Reliquary or a Vessel for Eucharistic Bread?
https://doi.org/10.63538/rmnwns.005.06
Aleksandra Sulikowska-Bełczowska (Author)
96-129
Female Iconography in the Northern Aisle of Faras Cathedral
https://doi.org/10.63538/rmnwns.005.05
Katarzyna Rachuta-Wierniewska (Author)
78-95
The Conservation of the Wall Paintings from the Apse of Faras Cathedral (1964–2014)
https://doi.org/10.63538/rmnwns.005.04
Agnieszka Kijowska (Author)
54-77
The Faras Cathedral: A History of Transferring and Conservation of the Wall Paintings (1962–1974)
https://doi.org/10.63538/rmnwns.005.03
Dobrochna Zielińska (Author)
33-53
Faras Cathedral: A Witness of Art Development in Nubian Kingdoms of Nobadia and Makuria
https://doi.org/10.63538/rmnwns.005.02
Anna Leśniewska (Author)
304-329
Biennale of Spatial Forms in Elbląg at the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.004.12
Małgorzata Redlak (Author)
278-303
Mamluk Revivalism – Egyptian and Syro-Palestinian Metalwares from the Late 19th and Early 20th Centuries in the Collection of the National Museum in Warsaw
https://doi.org/10.63538/rmnwns.004.11
Dorota Gutkowska, Stanisław Mieleszkiewicz (Author)
260-277
“Armorial Tables” of Princess Tekla Róża, Née Radziwiłł. History, Maker, Artistic Connotations
https://doi.org/10.63538/rmnwns.004.10
Aleksandra Kasprzak (Author)
239-259
Mirror Wall Sconces with the Pogoń Coat of Arms of Prince Paweł Karol Sanguszko
https://doi.org/10.63538/rmnwns.004.09
Fausto Gozzi (Author)
208-236
Guercino among Witches, Wizards and Devils
https://doi.org/10.63538/rmnwns.004.08
Joanna Kilian (Author)
170-207
Beltà crudele
. Love in the Art of Guercino
https://doi.org/10.63538/rmnwns.004.07
Marcin Fabiański (Author)
149-169
On Light and Perspective in Paintings Shown at the Exhibition
Guercino. The Triumph of the Baroque. Masterpieces from Cento, Rome and Polish Collections
https://doi.org/10.63538/rmnwns.004.06
Jakub Bendkowski (Author)
114-145
The Baldachin Altarpiece of the Wrocław Goldsmiths
https://doi.org/10.63538/rmnwns.004.05
Jakub Adamski (Author)
69-113
Statue of the Virgin with Child from Saint Mary Magdalene’s Church in Wrocław. More about Peter Parler as Sculptor and Parlerian Art in Silesia in the Luxembourg Period
https://doi.org/10.63538/rmnwns.004.04
Tomasz Jeziorowski (Author)
335-362
“Central Industrial Region – a Painter’s Reportage 1938”. Rafał Malczewski’s Industrial Landscapes from the Collection of the National Museum in Warsaw
Janina Wiercińska (Author)
111-136
The Numismatic Collection of Dr Władysław Semerau-Siemianowski in the National Museum in Warsaw
Andrzej Reiche (Author)
85-110
Kuwaiti-Polish Archaeological Research in Northern Kuwait in 2007–2012
Monika Dolińska (Author)
53-84
The Temple in the Valley
Anna Grochala, Ewa Martyna (Author)
459-503
The January Uprising of 1863 and Its Fighters in the Cameos from the Collection of Henryka Capelli, née Dzieduszycka. The Reception of Graphic and Photographic Prototypes
Justyna Guze (Author)
447-458
Bloch’s and Wokulski’s Paris. Drawings by Charles Tronsens in the Collection of the National Museum in Warsaw
Ewa Frąckowiak, Elżbieta Rosłoniec (Author)
435-446
La Place des Martyrs et la Taverne du Bagne
of 1885 by Félix Buhot. Historical Research and Material Testing of Its Celluloid Plate
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