Paintings from the Potocki Family Collection in Krakow and Krzeszowice
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Keywords

collecting
Polish collecting
19th-century collecting
museum work
public museum
Potocki collection
Artur Potocki
Zofia Potocka
née Branicka
Adam Potocki
Katarzyna Potocka
Wieńczysław Potocki
Konstanty Potocki
Stanisław Kostka Potocki
Izabela Lubomirska
née Czartoryska
Franciszek Lubomirski
Jerzy Lubomirski
Konstanty Zamoyski
Józef Chłopicki
Fryderyk August Rutowski
Potockis
Lubomirskis
Branickis
Palace Under the Rams in Krakow
Krzeszowice
Kozłówka
portraiture
portrait
Italian painting
German painting
Netherlandish painting
Dutch painting
Flemish painting
Polish painting
French painting
Giovanni Battista Cima da Conegliano
Giovanni Francesco Penni
Guercino
Giovanni Busi called Cariani
Melchior d’Hondecoeter
August Querfurt
Philips Wouwerman
François Gérard
Friedrich Wilhelm Schadow
Franz Xavier Winterhalter
Martin Kober
Tommaso Dolabella
Wojciech Stattler
Jan Matejko
viri illustres
gallery of ancestors
copy
Nazarenes
The National Museum in Warsaw

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How to Cite

Paintings from the Potocki Family Collection in Krakow and Krzeszowice. (2020). Rocznik Muzeum Narodowego W Warszawie. Nowa Seria Journal of the National Museum in Warsaw. New Series, 9(45), 49-82. https://doi.org/10.63538/rmnwns.009.02

Abstract

The article discusses the paintings once belonging to the collection of the spouses Artur Potocki (1787–1832) and Zofia Potocka, née Branicka (1790–1879), currently residing at the National Museum in Warsaw. The author outlines the three motivations driving the couple’s passion for collecting paintings. The major impulse was the need to enrich life through the presence of fine art, procured in keeping with collecting tendencies of the era. The second motivation arose out of the Enlightened ideas they espoused, absorbed largely as a result of contact with Stanisław Kostka Potocki. The third, though no less significant, motivation was a desire to illustrate common history through portraits, including those of famous individuals, and family history through likenesses of family members: the two spouses, their parents, grandparents, children, grandchildren, relatives and in-laws from the Potocki, Lubomirski and Branicki families. The author emphatically stresses the need for a thorough research catalogue of the collection, one of Poland’s most important collections of old paintings.

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This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2020 Bożena Steinborn (Autor)